soft//rupture

Selected Works

Showcasing key projects and explorations in movement, embodiment, and social somatics, with notes on process, context, and methodological approaches.

A circle of worn, stacked cushions in muted earth tones—moss green, clay, charcoal, and ochre—rests on a dark wooden studio floor, each cushion slightly compressed as if imprinted by recent presence. In the center of the circle lies a single smooth river stone and a small notebook closed with a fabric tie, suggesting quiet reflection and research. Warm late-afternoon light slants in through an unseen high window, creating elongated, soft-edged shadows and a golden halo on the central objects. Captured from a gently elevated, overhead angle with sharp focus throughout, the image feels intimate, grounded, and quietly radical, embodying collective somatic inquiry in clean, photographic realism with a sophisticated, minimal atmosphere.
A close-up of a large, undulating piece of deep indigo silk fabric resting on a matte concrete floor, frozen mid-fold as if caught in the act of a slow, fluid movement. The silk’s surface shows intricate highlights and shadows, capturing every ripple and crease like a moving body. Around the edges, faint chalk lines and scuff marks on the concrete hint at rehearsal and repeated gestures. Soft, diffused studio lighting from above and one side creates a sculptural quality, emphasizing depth and form. Shot from a slightly elevated angle with shallow depth of field, the composition feels intimate and abstract, suggesting somatic motion without any figures, in a refined, photographic, contemporary art style.
A circle of worn, stacked cushions in muted earth tones—moss green, clay, charcoal, and ochre—rests on a dark wooden studio floor, each cushion slightly compressed as if imprinted by recent presence. In the center of the circle lies a single smooth river stone and a small notebook closed with a fabric tie, suggesting quiet reflection and research. Warm late-afternoon light slants in through an unseen high window, creating elongated, soft-edged shadows and a golden halo on the central objects. Captured from a gently elevated, overhead angle with sharp focus throughout, the image feels intimate, grounded, and quietly radical, embodying collective somatic inquiry in clean, photographic realism with a sophisticated, minimal atmosphere.
A close-up of a large, undulating piece of deep indigo silk fabric resting on a matte concrete floor, frozen mid-fold as if caught in the act of a slow, fluid movement. The silk’s surface shows intricate highlights and shadows, capturing every ripple and crease like a moving body. Around the edges, faint chalk lines and scuff marks on the concrete hint at rehearsal and repeated gestures. Soft, diffused studio lighting from above and one side creates a sculptural quality, emphasizing depth and form. Shot from a slightly elevated angle with shallow depth of field, the composition feels intimate and abstract, suggesting somatic motion without any figures, in a refined, photographic, contemporary art style.

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Key Works Index

Provides a structured index of key works with concise descriptions and links into deeper documentation.

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A weathered slate pathway weaving through lush, rain-damp grass in a Welsh urban park, the stones slightly uneven and glistening with recent drizzle. Between the slabs, tiny ferns and mosses emerge, blurring the boundary between built path and living ground. In the distance, out of focus, hints of brick buildings and a faint suggestion of Cardiff’s urban architecture ground the scene. Overcast sky creates soft, diffused lighting, saturating greens and greys and eliminating harsh shadows. Shot at ground level with a low, horizontal composition, the foreground stones are in sharp focus while the background softly recedes, evoking a somatic relation between human-made routes and non-human growth. The mood is reflective and understated, in poetic photographic realism.